Large format
A few years ago I was given a panoramic tripod head. I had never taken any panoramics outside of using my smartphone - but the process was intriguing to me. I wanted to approach the landscapes and images much like a photographer using a large format view camera would have. The weight and preparation, as well as the timing and light shifting (exposures span over a few frames, to hundreds of frames), created new challenges and opportunities.
Prints
Printing of these images can be seen as two-fold. Print sizes that can be produced on most traditional fine-art printers and print sizes that represent the actual resolution and native size of these images. Because these images are comprised of a series of full-frame captures, the resolution is based on the capturing camera’s native sensor resolution times the number of frames. For instance, as part of my Farm Portrait series, I produced some images with sizes between 10’ wide and 14’ wide at the longest.
mounting
Mounting and framing these images follow the same conventions as printing - standard sizes (less than 44” on the shortest edge - 96” on the longest) follow standard pricing models, whereas oversized and custom sizes (sizes that do not fit off the shelf frames) are done on a case by case basis.
